Finding the Passion

This week, after writing my most successful article ever, I learned something about myself. Whether I'm writing, being an engineer, or just living my life, I put forth the most effort and produce the best results when I'm truly passionate about something. For when I am truly passionate, I'm able to find my true voice and really put power, weight and meaning behind the things I am doing. And when those things go well, it fuels my passion and motivation further.

So naturally, knowing that I write and live my life best under those circumstances, I began to wonder how I can start to do this in every aspect of my life. I've found it's really easy to write when I feel passionate about something, but what about the times when I don't have that strong belief or feeling? It's infinitely easier to do my day job when I find the part of it that I truly love and that makes my eyes light up, but what happens when I don't enjoy the work? There's lots of times in our lives where we do things because we have to and not because we want to or because we feel driven to do them.

We all love having that little voice in our head, feeling that drive to excel or finding the wonder in the things we do. But what happens when that voice isn't there or when the drive is absent? I usually ask myself, am I doing this because I have to or because I want to. I have to wonder if I'm asking the wrong question. It's not always about have and want, but about why something is important or why it needs to be done. It's in part finding that silver lining, but it's also in realizing that just because you aren't finding the passion or drive doesn't mean someone else isn't.

I think there is passion in everything that we do on a daily basis, we just have to find it and grab hold of it. Despite the horrible things we sometimes have to do, at some level we could be fueling the passion of others. So the next time I'm struggling to find the passion in my writing, or the drive to finish a work project that's giving me a headache, I'm going to take a step back and look at the bigger picture. I'm going to ask myself, am I driving my passion or someone else's. And whatever the answer, I think knowing that I'm driving someone, even if it isn't myself, will make doing the things I do that much better.

I Got Ninja'd!

This week was WriteOnCon an online writer's conference for children's, MG and YA writers, that I coincidentally found out about on Monday. (Thank you Twitter!) WriteOnCon is a series of online sessions with agents, authors and editors as well as Q&A's. In addition, they have a huge forum where writers can get advice and post queries, synopsis, their first 250 words, and first five pages for critique from fellow writers. Seeing the interaction on the forum, I decided to make an attempt at a query letter and post it for critique, since I'd never written one before and was seriously dreading it. I started with a summary of my manuscript that I'd written prior to the Missouri Writer's Guild conference and was lucky enough to revise after getting five minutes with a very generous agent at the conference.

When I posted the query a few people critiqued it and I got some great advice. So I redrafted the query a few times to incorporate the feedback and reposted the new drafts. After yesterday people stopped posting feedback and my thread fell to page three. I figured most people wouldn't flip that far to critique so I stopped checking it and subscribed to the thread just in case. No biggie, I was glad some people took the time to comment.

But now onto the best part of the conference. Literary agents and editors patrol these forums under secret identities of the form Ninja Agent _____ . This afternoon, I read through the thread of people reporting in whether or not they "got ninja'd" and caught the eye of an agent. I congratulated those who did and thanked everyone for their critiques and reported in that I hadn't been ninja'd. About an hour later I received an email saying I had a reply to my query thread. As I scrolled through the email, I saw that not only had I been ninja'd, but that mystery Ninja Agent Rainbow had critiqued my query and given me some serious praise. Including the line:

Seriously, I love this premise and almost immediately began to wonder if you don't have the start of a really fun GN (Graphic Novel) on your hands.

 My jaw hit the floor. The only thing running through my mind was OMG OMG OMG HOLY FREAKING S#!T! DID THAT SERIOUSLY JUST HAPPEN? OMG OMG OMG. I think I read the note twenty times and I still hours later am not sure I read it right. Not only had an agent taken the time to read my query, they commented and critiqued it. And on top of it, said very very very nice things. Including that bit above which if I'm interpreting it right means, from my query alone they were already thinking about how to market my work. My heart was pounding out of my chest.

This is seriously one of the biggest highs in my life and it couldn't have come at a better time either. Just a week ago I was sitting at a table with a group of writers seriously doubting my work and wondering if what I had was unique enough to catch an agent's eye. Now I have my answer. And if this is what catching a agent's eye feels like, I don't ever want to doubt myself again. I will take this feeling any day of the week, even if it means I'm left completely speechless. Even though this is a small taste of what is hopefully to come **fingers crossed**, I'm glad I can now say 'So that's what that feel's like' and it's a feeling I'm not willing to let go of.

Humble Beginnings: Writing for the First Time

I never wanted to be a writer. I much preferred the simplicity of numbers and math. So in first grade when we had monthly writing assignments this was a huge source of struggle for me. The class was given a story starter once a month and our job was to finish it. This should have been something fun for a child but for me it created anguish and stress. The sunday before each assignment was due, I’d sit at the kitchen table and stare at the four walls waiting for inspiration to strike. Occasionally, I’d get an idea that I would quickly dismiss because it sounded stupid to me.

After what always seemed like an eternity of watching a blank page, one of two things would happen; I’d start complaining, or my mother would ask what the problem was. I didn’t know what to write and I felt stupid doing it. My mother’s response to this was write whatever you want. And then the whining would start. My ideas are stupid, I hate this assignment, why do I have to do it, and on and on. My mom was always a good cheerleader and would try to console me. She said, “No idea is stupid. Look at Hansel and Gretel, it’s about two kids lost in the woods following bread crumbs. Now that sounds pretty silly doesn’t it? But it’s still a story. So just write something.”

Although her pep talks were pretty good, they never seemed to help. I was lucky if I wrote one or two sentences afterward. My three year old sister on the other hand, who listened to each and every one of these monthly exchanges, would dance around the kitchen and spew out idea after idea after idea in a matter of minutes. It annoyed the hell out of me. I wondered why she got the creative gene and I didn’t have a single imaginative bone in my body. This was the biggest source of frustration for me because while I couldn’t think of one idea, she could sit in the corner and play with her fingers. I couldn’t wrap my head around how easily my sister could rattle off a million ideas and I was stuck in the uncomfortable kitchen chair with nothing but silence in my head.

After an hour or two, I’d get so frustrated and embarrassed that I’d reduce myself to tears, and still I wrote nothing. My frustration and tears eventually got to my mother and the yelling began.  I wanted so badly to find a great idea and I kept coming up blank. My mom kept telling me to write anything it didn’t really matter. But the situation drove everything from my head. And even at age seven the thought of stealing one of my sister’s umpteen ideas never crossed my mind. The crying and yelling continued, until finally my mom felt sorry for me and listed off a series of ideas and said pick one. Angry and exhausted from all the crying, I’d take one idea, which I still wasn’t happy with, and wrote as the tears dripped onto my paper. After a paragraph or two, I’d cram the page into my language arts folder and stuff it into my backpack embarrassed for anyone to see it. To which my mom said, “See that wasn’t so bad.” But it was. I was drenched with tears and I felt like a broken pencil without lead; completely useless and stupid.

As I continued on through school there was one thing I hated more than anything, writing papers. It was always a nightmare. They took forever and they were horribly painful and boring. I was so disinterested in writing, that when I finished my last English class in college, I never wanted to write again. It was a good thing my degree was in engineering. Too bad no one told me about the numerous lab and technical reports I’d be writing over the years. But somehow I made it through each and every painful writing experience.

It wasn’t until I was working full time as an engineer that I actually started to write something of my own choosing. Without homework, I found myself looking for things to do in my free time. Out of boredom, I started researching the meaning of names. From those names, I started creating characters that belonged to them and then imagined up a world they could live in. Little did I know, I was successfully being creative for the first times in my life. This piece, at the time, ended up being the longest thing I’d ever written coming to around fifteen thousand words. But it was flawed. I broke every rule in the book. The story started with my main character shooting up in bed because her phone rang, waking her up. This was promptly followed by an explanation of her looks as she stared at herself in the mirror. I think there are at least a billion things wrong with that segment alone and it only went downhill from there. It began with a boring ordinary start that everyone says to avoid. It was extremely cliché.

Despite the horrible writing skills and the fact that I’ve now hidden that piece away where no one will ever see the embarrassment it holds, I learned a lot from it. I found my creative gene that was hiding for all those years. I figured out how to write something interesting and not let my brain get in the way. And I found a way to use words besides just for talking and getting to the point. Those days spent crying at the kitchen table aside, I learned to trust in myself and go with it. No idea is stupid. In fact some of the simplest ideas can be spun into the most interesting stories.

At some point between writing out of boredom and finding a hobby in reading, I was bitten by the writing bug. I find that ideas and stories overwhelm me and often take over inside my head refusing to sit unwritten. I spend countless hours of my free time writing and studying the craft because I no longer would know who I am if I didn’t. Who would have thought the girl who cried over her writing assignments and was so happy to have written her last paper, would ever grow into a woman who aspires to be an author one day? Somehow in my horribly rocky start, I found the writer within myself. And despite the pain writing caused me over the years, I never forget where I began, because it defines me as a writer and as a person. We all have to start somewhere but how we move forward from our humble beginnings and what we learn from the past is what really matters.

This post first appeared as a guest blog post on Writing for the First Time. If you want to write a piece about your literrary beginnings, they are still looking for contributors.

Never be Above the Praise

This evening I fell into a twitter discussion about whether or not meeting authors could make you more excited about their work or possibly even turn you off to it. My initial response was depending on the encounter, for me it can do either. But as I dove into the topic further I realized there was something in there that I felt very passionate about without realizing it until now - the importance of letting praise continue to humble you.

As a writer, I'm constantly seeking praise and approval. I'm always looking for someone to tell me, hey you write well, or I really enjoyed your story, or I can't wait to read more. There's moments where I need some sort of validation but I only want it if it's sincere. I never want someone to blow smoke up my behind. But in the praise I sometimes receive, I find the strength to push on and tell my stories even when things seem impossible to continue. Everyone needs a cheerleader right?

So when I looked at why I decided not to continue reading certain authors after meeting them in person, I was left scratching my head. I get that author tours are very very stressful. They often cram several events into one day and you spend each night of your tour in a different city only to wake up early, hop a flight somewhere new and start all over again, often leaving home for weeks at a time. As glamorous as author tours sound in theory, the reality is they are probably more like a sleepless nightmare. However, I know most authors are excited to get out there and meet their fans. It's evident when you see them at signings. They are ecstatic, that the people that buy and read their books take the time to come out and see them on tour. They understand that without readers, their books are just pages on a shelf waiting to be read.

Taking all that into account, I've met one or two authors that couldn't even speak to me let alone crack a smile when I brought their book up to be signed. (And I'm not a scary person I promise!) The shear thought of those kinds of reactions baffles my mind. As a writer and aspiring author, I find I'm so overwhelmed and excited when someone just asks to read my stuff and I'm over the moon when they compliment it. A simple thanks never seems like enough in return for the smile they bring to my face and the happiness and strength that comes with it. So I have a hard time understanding why an author would have any reaction outside of joy when meeting their fans (and I'm not talking about rude people that show up to signings, I'm talking about true fans). Heck I'd be happy to have one fan of my writing right now.

I know everyone has bad days and it's possible I hit one of those when I met some of these authors, but a good meeting always makes me want to support an author more because everything suddenly becomes a bit more personal. I met them, they are cool and I want to support their career by buying and enjoying their books. And if I really love an author I'm compelled to tell others how truly awesome they are. However, if the encounter goes badly, I instantly want to shy away and wonder why I'm still reading that author that doesn't seem to appreciate me as a fan. Their books suddenly don't seem as good or as exciting because the person behind the words was a bit of a disappointment. On a slight side but related note, because the discussion mentioned above was initiated by an author, I now want to run out and buy her books for the simple fact that she's taking the time to research what turns fans on or off when it comes to meeting author. I love when authors (or celebrities, athletes, etc.) engage their fans or in this case a crazy person who feels strongly about a subject.

I realize that because I am somewhat new to writing, I have a sense of nativity and euphoria when people praise my work. I'm always flabbergasted to hear any kind of positive remarks about my writing. I know the road to becoming a published author is long and difficult and has many highs and lows along the way. But on that journey and beyond, I hope that I never lose that sense of excitement that occurs when someone tells me I really enjoyed your story. I know every time I hear it, I'm still unable to form the right words of thanks. And as tough as it is to be a writer and not have the right words at your fingertips, I wouldn't trade the joy that comes with it for anything.

It's a Query Letter not a Ransom Note!

The fine art of querying sends many writers running for the hills or seeking shelter in a cave. For some reason it makes many of us cringe at the thought despite the fact that a query really is just more writing. So why do we all seem to hate it so much? Well, there are many things you can do to make the process less painful, and there's lots of tips on how to craft a good query if you know where to look.

I will preface by saying, although I have not sent out a formal query letter yet, I have spent many hours researching what makes a good query letter and follow many agents/editors on twitter that do #10queriesin10tweets. I have learned quite a lot about querying. In fact I've learned enough to know that if you have half a brain, pay attention to submission guidelines, and are polite and professional you are probably ahead of about 50% of the pack right off the bat. Crazy I know but it's true! A quick Google search is really all it takes and that's before you even consider the synopsis, writing, word count etc. of the manuscript being queried.

I will say if you are a writer that is querying or you are even thinking about querying at some point in the future, follow #10queriesin10tweets periodically, the information there is invaluable. It really puts things in perspective. In the hundreds of tweets to this hashtag I can count on one hand the number of requests for pages I've seen result from queries. And as discouraging as it sounds, to me it's simply not because of the common offenses I see committed when people query. 

Follow the submission guidelines

I'd say that the biggest thing that gets a 'no' is not following submission guidelines. Which is anything from querying a genre the agent doesn't represent, to not pasting in the first 10 or so pages, to sending attachments. By the way most agents hate attachments because it puts them at risk for a whole host of viruses and malware so they simply do not open them and often just reject the query. You don't open attachments from unknown senders, so why should they? (and if you do shame on you!)

Lack of plot/conflict

I also see a lot of rejections because the query letter fails to explain what the book is about and what the conflict is. Agents want to know why they should fall in love with your book but if you are just giving them a play by play then they don't need to read your book they already know what's going to happen. Avoid the and then, and then, and then syndrome in both your manuscript and your query.

Word Count

Word count isn't always a make or break but knowing your genre and a rough range you should fall in can save you a lot of headache. If you are way outside the estimated range, think long and hard before you query. And no don't go in thinking you are the exception to the rule, you most likely aren't. There are tons of posts about word count out there, so I will just say Google to find your genre and a good range for it.

Proofreading

An error or two in your query are not the end all be all, but if you query is littered with grammatical mistakes this tells the agent you don't know your craft. Would you send out a resume with a bunch of typos and expect to get a job? No! So make sure you proofread your query letter and get at least one other set of eyes on it to catch as many mistakes as possible.

Weak Writing

This I see a fair amount as well and this one is harder because it's often difficult to see fault in our own writing. Even if you have a critique partner or group, you sometimes don't know when you are done, ready to query and if you've done all that you can. And yes every writer should have at least one person they run their writing by that isn't a close friend or relative that will be honest and objective. So this one is tough to see, and usually means we as writers need to work more on our craft and continue to improve before we query. But the good news is, in most cases weak writing can be fixed.

Demands

Now these are the query notes that I usually laugh at when I see them on twitter. No you can't have a book deal and a film deal right off the bat, no you are not the next J. K. Rowling so you can't be a diva about your query, and no you shouldn't query your self published novel looking for an agent to make you more money. And then there was this one that I saw yesterday that made me flat out cringe.

Now I won't pretend to read the agent's mind here but I'm going to wager a guess that this query was possibly on the verge of having additional pages requested when the agent got to the demand of "6 figure advance." Not only did this writer shoot themselves in the foot but they cut their legs off, threw them in a river, and then tried to run a marathon. We as querying writers are in no position to make demands. Don't get me wrong there is a time and a place for some negotiations (and I use some generously) but not when you are querying.

The purpose of a query is to introduce yourself and your manuscript to an agent and see if they are interested in looking at more. Nothing more. You are selling yourself and your manuscript to the agent. So when you as a writer start making demands, you immediately become an undesirable person to work with. Publishing is a business and it's professional. Would you walk into your current boss' office and demand a six figure salary? No! So why are you doing it in a query letter?

So when I saw this tweet I cringed and nearly wanted to cry. In my experience most writers do it because they love the craft, love getting lost in the worlds they write and love spending time with the characters they create. In the beginning, most of us would be ecstatic just to see our name on the cover of a book that we wrote. The advance is nice but by and large we want to see our manuscript in print, out there in the world being enjoyed by others. Writing is not a get rich quick profession and if you think it is maybe you need to reevaluate your priorities. 

So remember this when you query: it's a query letter not a ransom note! You can't hold your manuscript hostage for unreasonable demands or you will never get anywhere in the publishing world. By all means wait for the right agent that gets your work, loves it like you do and has a good plan for how to revise and sell your work but don't be ridiculous.

The more I research the more I find that querying really isn't this huge elusive mystery. Writers tend to make the process way more complicated than it needs to be. Do your homework, write a well structured to the point query that has all the required information and query the right agents. We are writers so querying should be just like writing anything else, write, revise, perfect, execute, yet we tend to stress over the process. Yes the act of querying is stressful but actually writing the query shouldn't make us sweat so much. Take a deep breath, be polite and professional, follow the guidelines and put your best work forward. Eventually you will find the right place for your work.

Why You Should be an Extroverted Writer

Writing is not a solo sport. As much as we would like to crawl into our writer's cave and hibernate in there until our book is complete, that just isn't possible or a good idea. Trust me I'd love more than anything to hide in my introverted self. Writer plus engineer does not equal extrovert, but I've forced myself to step outside my comfort zone and its been to my benefit in many ways. 

It takes an army....

... to publish a book. There's typically an agent, editors and many others that are involved in the process. But it also takes an army to write a book. You can't do it 100% alone. Even if you can find the motivation, time, and drive to complete a book start to finish on your own, you can't be a one writer show. You need feedback and lots of it. As writers we are too close to our work and its impossible to single handedly catch every mistake, pov change, awkward phrase, pattern, abused word, etc. The list goes on an on. Not to mention, you personally can't find the points that don't make sense or need more detail by yourself. You don't know how others will view the story and you need that input. To get that kind of feedback you need to interact with others.

The power of critique partners/groups

I've already discussed why you should have critique partners and get feedback, but there is a lot of other things a group of critiquers can do for you. First on the give aspect, I've learned a wealth of things just by critiquing others. In seeing things that other writers need to improve upon, I often am able to notice similar faults in myself and correct them. The more I critique the more my writing improves because of it. And that is just the tip of the iceberg. 

Not only do critique partners help me tighten up my writing but they provide me with a drive to keep going. There is nothing like an angry critique group waving their flaming pitch forks at you asking for more to you story to keep you writing. Okay maybe I exaggerated a bit about the flaming pitch forks but having someone say they love your story and they can't wait to read more is great motivation to keep you writing. If you aren't extroverted enough to go find a critique partner or group you are missing out. Not to mention they are great sounding boards for working through writer's block, plot issues and the general stuck in the process feeling. They are a great shoulder to "cry" on because they've been there too, they get it. In addition, there has been many occasions where I've helped other writers work through trouble spots and its sparked an idea for myself, or helped me realize a change required in my own manuscript.

Write ins

This is something that I'm new to, but if I hadn't stepped out of my introverted box I never would have tried it. In meeting other writers, I've made some new friends. And there are times where we all say to each other, I need to write. So what better motivation than to group up at a coffee shop or library and write together. In most cases write ins were not times I normally would have been writing but because I knew other people were expecting me to show up, I came and got stuff done. It's also great for sticky points. There are times when you are writing and you get stuck on some wording or plot point and have to stop. But if you are writing in a room full of writers you have the potential for a quick instant brainstorming session. In the short time I've spent doing write ins I've already increased my productivity because I'm being held accountable for my work and I'm scheduling in time, that I may not have typically planned.

Twitter

Twitter is a huge wonderful resource for writers. I know some people roll their eyes, and I used to be one of them, but there is a great writing community on Twitter. There are writers, authors, agents, publishers, and editors all out there sharing great publishing (#pubtip), editing (#editortips) and writing tips(#writetip, #writingtips), as well as keeping you up to date on the latest trends and happenings. And its all free! There is also a whole slew of writing contests you can find via twitter where you can win critiques, edits or even possibly get signed by an agent. However if you hide behind your word document you are losing out to all of this. Not to mention there are great hash tags such as #askagent where real agents will answer your questions. 

Long and short of it, don't be afraid to interact with with these hash tags or even the people behind the accounts. They are people too, they don't bite and you'll find a lot of them share similar interests as you. Do however be professional. Don't twitter pitch to them unless there's a specific contest or they ask for it, and do not spam, either your stream, anyone's account or the hash tags. Doing these things will put you on a crazy insane bad list that you don't want to be on. You will find the more you interact, the more resources you will find, the more fun you will have, the more you will learn, and if all that wasn't great enough, you'll find you are starting to build your brand as a writer. If you are being respectful and sharing good insight and things you like, you will find that you will start to gather a following. Whether published or not, its great to have this kind of reach. None of which would be possible if you didn't embrace your extroverted side.

So there's a few great reasons to step out of your box and be an extrovert. What are somethings you do to be more outgoing that have in turn have benefited your craft? I find that the more extroverted I become in the writing realm the more my skill improves and the more work I get done. So don't be afraid to step outside your comfort zone. Get out there and get to know your fellow writers. 

 

Dealing with Plagiarism

This morning I learned that one of the worst things that can happen to a writer happened to me. I was plagiarized. My hard work was taken without permission from me or the site I wrote for. It was posted on another site and passed off as being written by someone else. However, before I continue I want to take a moment to define plagiarism:

Plagiarism - an act or instance of using or closely imitating the language and thoughts of another author without authorization and the representation of that author's work as one's own, as by not crediting the original author.*

*definition from http://www.dictionary.com

See what I did there with the *? That’s called crediting the source. If you are going to use word for word, paraphrase or slightly rework something some one else wrote, then it is imperative that you give a source. It’s even better if you check with that source and get permission before using it, but always credit the source. It’s as simple as that. This however is not how things happened for me.

As many of you know, over the past few months I’ve been writing for an online news site that posts articles and editorials on the latest movies and TV shows. In the recent weeks, the site I write for discovered that another online TV and movie site took not one, but dozens of articles, slightly reworked them, posted them on their site without permission or citation and passed them off as their own work. When I initially heard this, I was extremely angry and it wasn’t even my articles that had been stolen. Without ever experiencing it prior, I knew having your work stolen is heartbreaking.

After today I can now say I know exactly how it feels and heartbreaking doesn’t even begin to cover it. This morning I woke up to a tweet that said (and out of respect for the person that runs the site I work for and the site that has been stealing I will not cite names.) “By the way XXX site ripped off one of your articles too. I thought you should know.”  After reading that comment I was a bit taken back, one because I just woke up and two because I was completely shocked that it happened to me. I couldn’t even spell plagiarism and I haven’t even had the “pleasure” of being rejected by editors or agents, so how was my work being stolen? The site stealing the work is a much larger site than the one I write for, so why would they need to steal from someone else? Maybe they were looking for fresh ideas or one of the writers really didn’t know what they were doing was wrong. Whatever the reason, what they did was stealing and I was crushed.

After the swirling questions and emotions, I decided I wanted to see for myself. Not that I don’t trust the person who told me, because I do 100%, but because I needed to confirm with my own eyes. So I logged on to the offending site and began to scour their lists of articles. Nothing recognizable for pages until….. oh wow that title, and supporting image looks awfully familiar. I clicked on the article and my heart sank into my feet. It probably would have fallen into my downstairs neighbor’s apartment if there wasn’t solid flooring below me. Right there before my eyes was my article down to some of the exact pictures and formatting with a slight twist of words. And the stake to the heart was seeing that the author’s name, picture and bio at the bottom of the article did not belong to me. This was an article that I spent weeks toiling and agonizing over and finally perfecting until it was just right. One of the most difficult articles I ever compiled and wrote was stolen, badly rewritten and said to be authored by someone else. I couldn’t believe my eyes.

After I picked up my jaw off my desk, I wanted to start hurling things and write nasty comments like This is a great article but I liked it even better when I wrote it. But I stopped and took a deep breath before I burst into tears or spontaneously self combusted.

When I finally wrapped my head around what happened, I started to wonder what one does when this sort of thing happens. And after some careful consideration, I came up with the following list:

  

1. Take a deep breath: It’s first important to realize that although this is a horrible thing that happened to you, you are not alone. There are some things you can do about it even if you feel powerless and broken.
2. Do not act out of anger: Acting on extreme emotion will only make the situation worse and could mean that you lose all chance of remedying the situation. So think long and hard before you submit that nasty comment, email, or even facebook, twitter, or blog post trying to defame the offender. Professionalism is key.
3. Document: Take screen shots or copies of every instance of plagiarism. If it is a website, don’t rely on the link of a site in case the site is later taken down but do make sure the link is visible in your screen shots. Then gather your work that was plagiarized and if possible show proof of dates your work was written. You will want evidence of every instance of plagiarism and copies of your work to compare, to ultimately prove that your work was stolen.
4. If you are working with an agent, editor, company, or site owner, contact them and send your evidence. Unless they ask for more information or ask you to do something specific, let them handle it.
5. If you are independent, try contacting the author of the offending article, with a professionally written email informing them that they have copied content that does not belong to them and ask that they either remove the content or credit you as the source. Do not get angry, it’s possible that it was just a case that they forgot or didn’t know. If you receive a reply back saying they will comply and they do, then your work is done, but if not see the next step.
6. If you are ignored or the person does not act appropriately, try contacting the manager, site owner, or person in charge of the overall content with a similar professionally written email informing them of the copied content. Provide your proof, and information about your correspondence with the author of the article. Again be calm and polite, the owner or manager may not even be aware of the issue and if that is the case they may not be at fault. They can however take action and if they do deal with the issue then you are done. 
7. But if you are again ignored or met with any other response than compliance, then it’s time to make a decision. Do you let it go or continue on with this? If this is something you decide you want to pursue further, you will probably want to seek out legal representation. Although expensive, they will have more advice and know the laws. They can help draft a formal cease and desist letter or seek further action.

While plagiarism is a horrible thing, in a weird sort of way, I am a little bit flattered. If someone stole my work it is probably because they liked it enough to try and pass it off as their own. While that doesn't make it right and I’m still very angry about the whole situation, I’ve learned a lot from this experience. You are not immune to the horrible things that can happen to a writer, even if you are new to writing, and/or unpublished. But you are not powerless to the situation either. You can choose to let the anger and sadness of the situation overtake you or choose to rise above it and be the bigger person, by dealing with the situation in a professional manner. Although my case is not fully resolved, I know that this is not going to destroy me as a writer. I am merely choosing to take the backhanded compliment and keep writing in the future, working even harder than before.

Katana Review + Giveaway

Rileigh Martin is a sarcastic skater girl. When she and her best friend Quentin get mugged she is mysteriously able to take matters into her own hands and fend off the attackers with amazing fighting skills she never knew she had. She wants to believe it was an extreme adrenaline rush, but that doesn't explain the strange dreams she has about a 15th Samurai, and the voice inside her head that warns her about danger. When a good looking martial arts instructor named Kim visits Rileigh and tells her she's been possessed by a 15th century samurai, she is afraid she's losing her mind. Kim tries to convince Rileigh to train as a fighter and embrace her inner samurai. And as if being possibly possessed by a samurai isn't enough, she's starting to develop feelings for Kim and another boy from school. Rileigh must decide whether or not to embrace the warrior within at the risk of losing herself.

Katana is an amazing, fabulous book. It's sarcastic in all the right places and is action packed. Each of the characters is intriguing and fun to follow. Cole Gibsen is the master of metaphors and wields them as well as Rileigh manipulates her katana. I can't sing enough praise for this book, I had a very hard time putting it down, finding myself lost in Rilegh's world and hanging on tightly waiting to read what happened next. I am anxiously awaiting the second installment.

Now for the giveaway, one person will win a signed copy of Katana plus a signed Katana bookmark. Two people will win signed Katana bookmarks + other Katana swag. To enter, fill out the Rafflecopter and be sure to follow the blog and leave a comment answering the following question: If you could be possessed by anyone (profession wise or person) who would you choose and why?

*Giveaway open internationally, closes on 6-17-12

a Rafflecopter giveaway

The End of an Era: What the Flamel Series Means to me

On the eve of the release of The Enchantress, the final book in The Secrets of the Immortal Nicholas Flamel series, I'd like to share some thoughts on what this series has meant to me.

Life long friends

At the request of friends that I met through our love of Harry Potter, I read The Secrets of the Immortal Nicholas Flamel series. At the time I did not know how much one book series would mean to me. Through  my involvement on the fansite, I have worked with and met so many amazing people that I never would have come into contact with if it wasn't for the series. I've traveled across the country and the ocean to meet some of the wonderful people that share my love for the Flamel story. And I've developed life long friendships that I don't know where or who I'd be today without them.

New experiences

Aside from the travel, I've had so many new eye opening experiences that never would have happened if it weren't for this series. I learned so much about myself and that I can really do anything I put my mind to, even if I know nothing about it from the start. I learned to podcast, I learned to edit, I learned to write and I learned to be adventurous.

A fabulous author

If you've ever had the esteemed pleasure of meeting Michael Scott you are truly a lucky person. He is one of the most fun and down to earth people I have ever met, and the fact that he writes amazing books is a huge bonus. He loves his fans and goes above and beyond to interact and answer questions, even if its just a deviously cryptic response that leaves you with more questions than answers. His books leave me with a something not many authors have done, a want and love of reading.

A love of research

This series has introduced me to new places, new mythology and new characters from history. Its sent me to Google, numerous websites and even the library for countless hours in an effort to learn more about the elements from the books. I've tried and tried to get one step ahead of Michael Scott and figure out what could be coming next, but as those that have read the series know, that's impossible because he's always twenty steps ahead of his readers. For the true love of research for the series starts with him, and I've never in my life seen so many people, young and old, find a similar lust for research and fact finding that this series has brought about. 

A love of writing 

The first author I ever heard say "If you want to be a writer you have to be a reader first and foremost" was Michael Scott. He said out of the love of reading you will want to tell your own stories or in some cases think you can do better than the words on the page in front of you. At the time of hearing this I did not know how deeply this statement would affect me. In fact I never had aspirations to be a writer. But because of the Flamel series, I started reading, more than I'd ever read in my life. The more I read, the more ideas started to swirl in my head. And one day those ideas completely took over until before I knew it I was writing. Words became sentences, sentences became paragraphs , paragraphs became chapters and then finally a full on manuscript, and then the realization that I didn't want to stop at just one. I had to write more and more. And then a huge transition in my life, I started calling myself a writer.
 

So after years of following the Flamel story, a huge, enormous thank you Michael Scott for this amazing series and for bringing so many great people together. The words you've created have meant so much to so many people. Congrats on the release of the final book that has been years in the making. I'm looking forward to the next great adventure.

The Tales of a Closet Pantser

If you've been reading this blog you know by now that I'm an engineer and a writer. And if you haven't been reading, why not? Because I'm an engineer, when I write I think very logically and plot through things as they are supposed to happen one thing leading into the next. So recently it has come as a complete shock to me that my current WIP, like a stubborn toddler, downright refuses to be plotted - a phenomenon we writers call pantsing (see it wasn't as dirty as you thought). No matter how much I try to plot my WIP, Orion, my devil muse (who I probably should have named Loki), has been throwing wrenches into my carefully plotted and logical outline. 

This act of throwing tools, sends me into a tailspin of back and forth between the voices in my head. Yes hearing voices is perfectly normal for a writer. I'm not crazy I swear! So starts the intern conflict....

If I change this, it will change the location of that event in my manuscript. Hmmm maybe that's better. But if I leave it as is then I have more tension here. Oooo that's good. BUT if I change it, then I have more tension throughout.... OOOO even better! The evil voices in my head laugh. Yes call me a sadist but I love torturing my main characters.

The problem with changing things though, is that the minute I do, I turn around and see that Orion has bested me by shoving me into a closet and leaving me with my pants around my ankles. CURSE YOU PANTSING! How could you be better than my tried and true carefully thought out and planned outline? How dare you ruin my perfectly fine method! It works or at least it worked until this WIP, that still doesn't have a detailed ending. What's with that Orion? You have some more tools to throw at me? BRING IT! 

Pantsing it is!

*runs off to write*

Note: I am not crazy. I SWEAR!